Crafting Ganesha..

Though I no longer live in Bombay, I still look forward to Ganesh Chaturthi every year. Part of the reason is that it signals the beginning of the festive season and the other is of course, the creativity in all of us that comes to the forefront. Every street has it own Ganapathi and the whole works around it is almost like a competition. It works the same way in most of our crafts. Check out some renditions of the elephant God in various crafts across the country.

Made in Dhenkanal, Orissa, this Dhokra sculpture was handcrafted by Dushasan Behera.

Found in a small alley in Oklipura, Bangalore, this metal sculpture is used in homes for Puja (prayer)

The auspicious silver sculptures are part of the Puja (prayer) room. A new bride is gifted these as a symbol of luck and prosperity.

The stone sculptures of Shivarapatna in Kolar.

A modern style Ganesha made in Udaipur.

A Pattachitra of a  five headed Ganesha from Orissa.

Ganesha masks on Papier-mâché.

That is me holding a Ganesha made with goat leather. The puppet craft Charmakari has Ganeshas on just about everything- lamps, puppets and even wall screens.

Sadly, every year after Visarjan (the day when the elephant god sculptures are cast into the water bodies), I hate to think of the pollution levels that our fun and festivals have caused the environment. A bio-degradable Ganapathi is a great option, but if you wish to retain your Ganapathi or even gift your friends, you can pick one of these options.

This item is available at our eBay Store.

Raghurajpur Part 3: Etched on a leaf..

The rampant power cuts in Raghurajpur ruined some of the pictures. It was very dark inside Dilip’s home and I am not a fan of flashlights! 🙂 So forgive me for the ‘ok-ish’ pictures, but I am sure you’ll love the concept.

After two posts of praises about Raghurajpur’s skill with the brush, this one takes it to another level! Dilip Kumar has carved out this piece on palm leaves sewed together to create a canvas.

The palm leaves are sewn together to make a canvas. The drawing is etched on the canvas using a sharp object.

Dilip took less than a minute to etch this!

The characteristic portrait of a girl’s face used in Pattachitra.

Black colour (made from soot of lamps) is used to fill the etching.

The colour is applied.

The excess colour is wiped off with a rag showing the face of the girl clearly in contrast to the beige background.

A close up to reveal the face of a boy and a girl.

Without a stencil or any measurements, Dilip managed this perfectly ‘in sync’ faces.

Please click here for more pictures of Orissa- Rath Yatra and crafts..

Raghurajpur Part 2: Folklore and colours..

I have known ‘Dilip Kumar Prusty’ for a year now, but had never met him in person. Going by his highly talented work and the average age of skilled artisans in our country, I expected him to be at least 60 years old. When I finally met him during this trip, I was surprised to meet a chirpy 30 yr old, with a lot of interesting ideas and dreams for the future.

As someone who has explained the process to complete strangers a million times, he clearly detailed out the process for us. Pattachitra is drawn on a special paper. The paper is made with multiple layers of old fabric treated with a concoction that consists of tamarind seed paste, a completely eco-friendly concept. A final coat of a limestone mixture is spread on the paper, which is then polished to provide a smooth canvas.

(Photo courtesy: P Sindhuja) On this paper, the basic sketches are drawn. The colours that are used are also derived from natural sources like Conch shell (white), soot from lamps (black), Geru (red), etc. The colours are stored in empty coconut shells.

The brushes are made with animal hair based on the thickness required, with the finest one being made from squirrel hair!

Mythology is the central theme of most paintings. Most crafts in our country have evolved to support the various rituals performed in temples (or the other way round!). Patta paintings are used in the place of idols in the Puri temple during a specific period of the year. During this period the gods are supposed to be sick and are not fit to offer darshan to their devotees.

Pattachitra is just not limited to a single canvas. Walls painted with Krishna’s Raas-Leela, his life’s story and Vishnu’s ten avatars abound in Raghurajpur.

(Photo Courtesy: P Sindhuja) Traditionally done by men, women have also taken to this craft. Initially, they were involved only in the process of making colours. Nowadays they are formally trained in this art by their family members.

Though I would have loved to visit all the 120 families in the village, it is impossible to cover everything in a day. So I restricted my visit to two homes, Dilip and his neighbor Narayan (the one in blue shirt).

Feast your eyes on a few designs..

At the end of it, we insisted that Dilip sign our purchase. He had never done it before and took a lot time to write his name on the painting.

Please click here for more photos of Orissa Rath Yatra and Crafts.