Crafting Ganesha..

Though I no longer live in Bombay, I still look forward to Ganesh Chaturthi every year. Part of the reason is that it signals the beginning of the festive season and the other is of course, the creativity in all of us that comes to the forefront. Every street has it own Ganapathi and the whole works around it is almost like a competition. It works the same way in most of our crafts. Check out some renditions of the elephant God in various crafts across the country.

Made in Dhenkanal, Orissa, this Dhokra sculpture was handcrafted by Dushasan Behera.

Found in a small alley in Oklipura, Bangalore, this metal sculpture is used in homes for Puja (prayer)

The auspicious silver sculptures are part of the Puja (prayer) room. A new bride is gifted these as a symbol of luck and prosperity.

The stone sculptures of Shivarapatna in Kolar.

A modern style Ganesha made in Udaipur.

A Pattachitra of a  five headed Ganesha from Orissa.

Ganesha masks on Papier-mâché.

That is me holding a Ganesha made with goat leather. The puppet craft Charmakari has Ganeshas on just about everything- lamps, puppets and even wall screens.

Sadly, every year after Visarjan (the day when the elephant god sculptures are cast into the water bodies), I hate to think of the pollution levels that our fun and festivals have caused the environment. A bio-degradable Ganapathi is a great option, but if you wish to retain your Ganapathi or even gift your friends, you can pick one of these options.

This item is available at our eBay Store.
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The Bangalore series: Wood carving in Ulsoor…

Ulsoor is just a stone’s throw away from the heart of the city.Nestled in between hundreds of bylanes, there are two small workshops making replicas of old doors. Those old doors were once made by their grandfathers. The replicas are made mostly with the help of machines, only the last bit of detailing is done manually.

Here is a lamp stand in an old house that needs a pair. The new one is machine cut and will end up looking less imperfect, less intricate and in the process less beautiful than the original.

The tools are still simple. A compass, a measuring scale and a hammer.

Different sizes of chisels for various degrees of carving.

Nowadays, owing to the decline in demand, small parts of the door or the pooja (prayer) room doors are made here. With such options available in synthetic materials like fiber and plastic, the craft is definitely on the verge of extinction.

It mostly serves as a repair centre for old doors and furniture. This beautiful chair is being refurbished and a replica has also been ordered.

A era gone by. Bangalore is no more the place it used to be, isn’t it?

The Bangalore series- Stone sculptures

 

You have already seen the beautiful stone sculpture in my balcony garden. Here is the post on where I found it.

When we finally managed to drive out of Bangalore (which seemed almost endless) and left behind the huge building complexes, my friend Mandy and I were glad to take in some fresh country air. The highway was a pleasure to drive on, with picturesque and almost uninhabited surroundings for our eyes to feast on. Some really good 90’s music (loads of nostalgic thoughts in the process) and we were well on our way to Shivarapatna. All that we knew about the place was that it was in Kolar district!

We reached Kolar and figured that we had crossed the village atleast an hour earlier and had to head back the same way. So we took a detour (again a vague direction following instructions given by the village folk, who measured distance by the time it took them the last time they visited that place!) and we trying Nokia maps to figure out the direction. Thats when we realized that as far as the maps were concerned, we were non-existent!

Shivarapatna was hardly made up of a couple of rows of houses, all of which were busy with activity. Statues were strewn around in all stages of work. The workshops (like the one shown above) were full of statues ready to be shipped to the US.

The craftsmen were all immersed in their work using simple tools, sometimes even oblivious of our presence.

Some of them were working under the shade of a bamboo structure, an interestingly ‘green’ feature.

My friend helped me with Kannada translations and we slowly started getting an idea of the work. This craft has been practiced for generations, the raw material (stone) coming from nearby areas of HD Kote and Mysore. Granite and soapstone are the two common stones used for sculptures.

Navagrahas, the nine planetary gods in Hindu religion are made here. These sculptures are used in temples across South India.

Few interesting designs.

Nandi, Lord Shiva’s bull, a representation of Dharma.

The tallest structure that we saw in the village.

Goddess Lakshmi, a symbol of wealth.

Hanuman, a devotee of Lord Rama.

Goddess Durga.

If you are planning to drive there this weekend, you can contact me for directions!

Please click here for more pictures.

Spirits and Demons

I’ve lived in Bangalore for a year. Yet I’ve never come across this place called ‘Oklipura’. Usually crafts are made in villages and I had no clue how to find them. I just knew they were in Oklipura (purely based on some reference in a book), but the address was not known.

So I walked around the neighborhood for about an hour and finally was directed to the right place by the local dhobi (launderer). There I met a very enterprising lady, the daughter of the master craftsman who explained the details. For generations they have been catering to their clients in South Karnataka.

Dakshin Kannada district is known for its unique culture. Bhuta Kola or Holy Spirit worship is a stylised form of ritual dance of the spirit impersonator. It is quite similar to ‘Theyyam’, an art form from the Malabar region of Kerala.

An interesting form of dance-ritual called ‘Yakshagana’ a dance-drama creating the world of divine and super human beings with all the paraphernalia of costumes, make ups, music, dance and dialogue is practised. A mask of the demon God is worn during this ritual.

The sculptures are made in various sizes for different purposes. For sake of puja at home, sizes smaller than a palm size are only used. Any size bigger than a size of a palm are either worshipped in temples or used as decorative pieces at home. Panch Dhatu, an alloy of five metals or Brass is used to make these figures.

Spirits are classified as animisitic or they represent Puranic Gods, Cultural heroes or local characters. Mahishasura, the bull demon is worshipped.

Varaha, an avatar of Vishnu where he was a boar is also worshipped.

Goddess Lakshmi is worshipped in a different form here. The picture shows the top part of the body of Goddess Lakshmi.

I left the workshop with a fascinating fact told by the lady. She said that the none of these Gods are worshipped by people who make them. And its been that way for generations.

Puppets and puppeteers

I got a leather puppet custom-made to fit my balcony window. It is a 6 ft tall structure of Radha in all her splendour. There was a Krishna too in beautiful blue, but I needed just one and I chose Radha over Krishna. I haven’t installed the structure yet. Once it is in its place, I will definitely put up a picture.

Once of my friends Nisha Subramaniam (I call her ‘Nishakka‘) had been here earlier. I’d asked her to get me a puppet. Once I saw my ‘Radha‘, I had to see the whole thing myself. So my recent trip to B’lore took me to Nimmalakunta, a 3 hour drive from Bangalore. Here I met Tulsi Rao (the one on the left) who was happily dozing under the cool shade of a banyan tree. I had spoken to him countless times over the telephone. Though we speak no common language, we have mastered the art of communication in such circumstances.

Almost everyone in the village is involved in either making puppets or hosting shows. Here is Tulsi Rao’s sister, who plays the female lead in the puppet shows.

Made with goat leather that is soaked in water and dried, the translucent sheets of leather are used as canvases for these puppets. The basic deign is sketched on the sheet, cut out to form a puppet and then coloured.

Holes are punched into these puppets with simple tools. These holes let light pass through when held against it. This contrast is used for the puppet show.

Nowadays, owing to the lack of interest in puppet shows, business has taken a downturn. So colourful lamps are made to cater to the current market trends.

Tulsi Rao was all enthusiastic as he took out his harmonium and played ‘Bahut Pyaar Karte Hain Tumko Sanam‘. He also showed us a minute long puppet show. But what took my breath away was this Vishnu’s Dasavatar (10 incarnations of Lord Vishnu) piece that he had made.

Ramayana is a very common theme for their puppet show. Here is Hanuman and Sita.

And here is the deer that lured Sita away! 🙂

So many beautiful pictures, an amazing bunch of people. Here is my favorite picture.

And if your glass door is asking for something like this, any design, any size can be custom made. How about a back-lit panel of Lord Krishna for the Pooja room door? 🙂

Please click here for more pictures.